He did NOT say it didn't happen. SHEESH!! You still haven't explained the claim that they didn't write on the road and said so compared to all the tunes i came up with even by Spring '64 which were written... on the road.
The claim, I will need time to work on to present, if you don't want to research the channel. It makes sense to me, but I will study it, as time allows, to be able to post here effectively
BBC interview with John and Paul August 1966. Paul- "The only time we need to force ourselves to write songs is when an Lp or film comes up." He also said "We don't write between lps normally, maybe one or two, then we write a great big batch".
By which point they were well-established. Before that point, they wrote whenever, wherever, and had started doing so in the late '50s. The notion that they didn't play on their own albums or write their own tunes is pure rubbish, and the fact that some people not only buy such trash but clutch on to it desperately is an artifact of full digital conditions, which Eric frequently discusses. Comes from the same place as Flat Earth flatulence.
Suit yourself. Personally I am not desperately clinging onto anything. I didn't want to believe it, but I did come to see that the Cinderella story we were fed it just not true.
As Eric pointed out to you very well, the whole story of the "fake Paul" is rancid crap, just like the entire "Tavistock creationist" myth. The fact that you cling it says enough. Nice chatting with you, i'm off to watch porn or, even better, a drying paint webcam.
And I'm sure you're finding that it's not all that easy. I speak as an adult guitar student.
People can say anything they want about McCartney being dead and traded for Billy Shears and all of that. But he is a musician, and the proof is in the music. Talent like his comes along a few times in a century. And it does not develop itself. So all the circumstantial evidence in the world except for a verified death certificate is irrelevant: the songs exist, and most of them are astonishing. When you study the songs, you can see approaches to composition, and you can witness and experience a development process. Listen to isolated bass lines from Beatles stuff after Rubber Soul -- it's available. Nobody else plays bass like that. There are equally talented bass players, but his approach is all his own.
I think I know what you are getting at. This all started when I tried to point to the expert who is a musician, and has put in years of research. Ya'll's refusal to check him out makes me wonder why, being investigative journalists that you are.
I am trying to find a short clip of the interview with John and Paul in the early 60's to post. One of them says something like "we wrote in batches" as opposed to out of studio time. One of them said 'we may write one or two. "
https://youtu.be/0FnVOTmKoqU
Interesting statement.."strictly speaking a little bit impossible"
He did NOT say it didn't happen. SHEESH!! You still haven't explained the claim that they didn't write on the road and said so compared to all the tunes i came up with even by Spring '64 which were written... on the road.
He did laugh at the thought
The claim, I will need time to work on to present, if you don't want to research the channel. It makes sense to me, but I will study it, as time allows, to be able to post here effectively
LOL!
BBC interview with John and Paul August 1966. Paul- "The only time we need to force ourselves to write songs is when an Lp or film comes up." He also said "We don't write between lps normally, maybe one or two, then we write a great big batch".
By which point they were well-established. Before that point, they wrote whenever, wherever, and had started doing so in the late '50s. The notion that they didn't play on their own albums or write their own tunes is pure rubbish, and the fact that some people not only buy such trash but clutch on to it desperately is an artifact of full digital conditions, which Eric frequently discusses. Comes from the same place as Flat Earth flatulence.
Suit yourself. Personally I am not desperately clinging onto anything. I didn't want to believe it, but I did come to see that the Cinderella story we were fed it just not true.
As Eric pointed out to you very well, the whole story of the "fake Paul" is rancid crap, just like the entire "Tavistock creationist" myth. The fact that you cling it says enough. Nice chatting with you, i'm off to watch porn or, even better, a drying paint webcam.
Please do
Furthermore, it was my own awareness detection that first struck a off note about "Paul" from non-digital magazines over fifty years ago.
Question, B -- to what extent are you musically trained, proficient? Do you play an instrument, write or sing?
I am not trained musically. I am working to teach myself piano. I would say I might be somewhere between Pre-K and Kindergarten level.
And I'm sure you're finding that it's not all that easy. I speak as an adult guitar student.
People can say anything they want about McCartney being dead and traded for Billy Shears and all of that. But he is a musician, and the proof is in the music. Talent like his comes along a few times in a century. And it does not develop itself. So all the circumstantial evidence in the world except for a verified death certificate is irrelevant: the songs exist, and most of them are astonishing. When you study the songs, you can see approaches to composition, and you can witness and experience a development process. Listen to isolated bass lines from Beatles stuff after Rubber Soul -- it's available. Nobody else plays bass like that. There are equally talented bass players, but his approach is all his own.
I think I know what you are getting at. This all started when I tried to point to the expert who is a musician, and has put in years of research. Ya'll's refusal to check him out makes me wonder why, being investigative journalists that you are.
I been trying to answer the questions you asked.
I am trying to find a short clip of the interview with John and Paul in the early 60's to post. One of them says something like "we wrote in batches" as opposed to out of studio time. One of them said 'we may write one or two. "